https://wikidemocracy.us/index.php?action=history&feed=atom&title=Ancient_Egyptian_Art 2026-09-17T16:27:51Z Revision history for this page on the wiki MediaWiki 1.46.0 https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10217&oldid=prev 2025-10-21T17:12:26Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:12, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l271">Line 271:</td> <td colspan="2" class="diff-lineno">Line 271:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://bioone.org/journals/the-journal-of-the-lepidopterists-society/volume-69/issue-4/lepi.69i4.a2/Butterflies-of-Ancient-Egypt/10.18473/lepi.69i4.a2.full by Vazrick Nazari, Linda Evans 1/12/15 Bio One DIGITAL LIBRARY]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://bioone.org/journals/the-journal-of-the-lepidopterists-society/volume-69/issue-4/lepi.69i4.a2/Butterflies-of-Ancient-Egypt/10.18473/lepi.69i4.a2.full by Vazrick Nazari, Linda Evans 1/12/15 Bio One DIGITAL LIBRARY]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  A review of butterflies depicted in ancient Egyptian tomb scenes and other artifacts dating from the predynastic period (c. 3000 BCE) until the end of the pharaonic era (c. 100 BCE) reveals a wide spectrum of stylistic changes over time. A cladistic analysis shows relative consistency of style during the Old Kingdom period, copying of old styles during the Middle Kingdom period, and a deviation from tradition during the New Kingdom period. The utility of a cladistic approach in assigning dates and localities to ancient Egyptian artifacts with unknown origins is demonstrated. We discuss lepidopteran symbolism in ancient Egypt, and investigate how some of these depictions may highlight historical shifts in species ranges since pharaonic times.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  A review of butterflies depicted in ancient Egyptian tomb scenes and other artifacts dating from the predynastic period (c. 3000 BCE) until the end of the pharaonic era (c. 100 BCE) reveals a wide spectrum of stylistic changes over time. A cladistic analysis shows relative consistency of style during the Old Kingdom period, copying of old styles during the Middle Kingdom period, and a deviation from tradition during the New Kingdom period. The utility of a cladistic approach in assigning dates and localities to ancient Egyptian artifacts with unknown origins is demonstrated. We discuss lepidopteran symbolism in ancient Egypt, and investigate how some of these depictions may highlight historical shifts in species ranges since pharaonic times.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Ancient Egypt=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://www.theartnewspaper.com/keywords/ancient-egypt by THE ART NEWSPAPER]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> The work, taken from the tomb of a vizier called Khentika, features a motif that is extremely rare in Ancient Egyptian art</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10216&oldid=prev 2025-10-21T17:09:24Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:09, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l267">Line 267:</td> <td colspan="2" class="diff-lineno">Line 267:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.nature.com/articles/s40494-020-00473-1 by Ehab Al-Emam 4/1/211 npj]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.nature.com/articles/s40494-020-00473-1 by Ehab Al-Emam 4/1/211 npj]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  In this study, we evaluated the ease of removal of soot layers from ancient wall paintings by employing double network gels as a controllable and safe cleaning method. The ceiling of the temple of Seti I (Abydos, Egypt) is covered with thick layers of soot; this is especially the case in the sanctuary of Osiris. These layers may have been accumulated during the occupation of the temple by Christians, fleeing the Romans in the first centuries A.D.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  In this study, we evaluated the ease of removal of soot layers from ancient wall paintings by employing double network gels as a controllable and safe cleaning method. The ceiling of the temple of Seti I (Abydos, Egypt) is covered with thick layers of soot; this is especially the case in the sanctuary of Osiris. These layers may have been accumulated during the occupation of the temple by Christians, fleeing the Romans in the first centuries A.D.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Butterflies of Ancient Egypt=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://bioone.org/journals/the-journal-of-the-lepidopterists-society/volume-69/issue-4/lepi.69i4.a2/Butterflies-of-Ancient-Egypt/10.18473/lepi.69i4.a2.full by Vazrick Nazari, Linda Evans 1/12/15 Bio One DIGITAL LIBRARY]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> A review of butterflies depicted in ancient Egyptian tomb scenes and other artifacts dating from the predynastic period (c. 3000 BCE) until the end of the pharaonic era (c. 100 BCE) reveals a wide spectrum of stylistic changes over time. A cladistic analysis shows relative consistency of style during the Old Kingdom period, copying of old styles during the Middle Kingdom period, and a deviation from tradition during the New Kingdom period. The utility of a cladistic approach in assigning dates and localities to ancient Egyptian artifacts with unknown origins is demonstrated. We discuss lepidopteran symbolism in ancient Egypt, and investigate how some of these depictions may highlight historical shifts in species ranges since pharaonic times.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10215&oldid=prev 2025-10-21T17:07:01Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:07, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l263">Line 263:</td> <td colspan="2" class="diff-lineno">Line 263:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.haaretz.com/archaeology/2023-07-12/ty-article/archaeologists-armed-with-analyzer-change-paradigm-of-ancient-egyptian-art/00000189-497b-de83-adc9-cffb3a720000 by Ruth Schuster 12/7/23 HAARETZ]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.haaretz.com/archaeology/2023-07-12/ty-article/archaeologists-armed-with-analyzer-change-paradigm-of-ancient-egyptian-art/00000189-497b-de83-adc9-cffb3a720000 by Ruth Schuster 12/7/23 HAARETZ]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  &quot;No, no, no. His arm is in the wrong place,&quot; the master of artwork in a tomb in the Theban Necropolis about 3,300 years ago rebuked some miserable underling.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  &quot;No, no, no. His arm is in the wrong place,&quot; the master of artwork in a tomb in the Theban Necropolis about 3,300 years ago rebuked some miserable underling.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Soot removal from ancient Egyptian complex painted surfaces using a double network gel: empirical tests on the ceiling of the sanctuary of Osiris in the temple of Seti I—Abydos=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://www.nature.com/articles/s40494-020-00473-1 by Ehab Al-Emam 4/1/211 npj]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> In this study, we evaluated the ease of removal of soot layers from ancient wall paintings by employing double network gels as a controllable and safe cleaning method. The ceiling of the temple of Seti I (Abydos, Egypt) is covered with thick layers of soot; this is especially the case in the sanctuary of Osiris. These layers may have been accumulated during the occupation of the temple by Christians, fleeing the Romans in the first centuries A.D.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10214&oldid=prev 2025-10-21T17:04:38Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:04, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l259">Line 259:</td> <td colspan="2" class="diff-lineno">Line 259:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://en.wikipedia.org/wiki/Ancient_Egyptian_race_controversy by WIKIPEDIA]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://en.wikipedia.org/wiki/Ancient_Egyptian_race_controversy by WIKIPEDIA]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Some scholars argued that ancient Egyptian culture was influenced by other Afroasiatic-speaking populations in North Africa, the Horn of Africa, or the Middle East, while others pointed to influences from various Nubian groups or populations in Europe. In more recent times, some writers continued to challenge the mainstream view, some focusing on questioning the race of specific notable individuals, such as the king represented in the Great Sphinx of Giza, the native Egyptian pharaoh Tutankhamun, the Egyptian queen Tiye, and the Greek Ptolemaic queen Cleopatra VII.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Some scholars argued that ancient Egyptian culture was influenced by other Afroasiatic-speaking populations in North Africa, the Horn of Africa, or the Middle East, while others pointed to influences from various Nubian groups or populations in Europe. In more recent times, some writers continued to challenge the mainstream view, some focusing on questioning the race of specific notable individuals, such as the king represented in the Great Sphinx of Giza, the native Egyptian pharaoh Tutankhamun, the Egyptian queen Tiye, and the Greek Ptolemaic queen Cleopatra VII.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Archaeologists Armed With Analyzer Change Paradigm of Ancient Egyptian Art=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://www.haaretz.com/archaeology/2023-07-12/ty-article/archaeologists-armed-with-analyzer-change-paradigm-of-ancient-egyptian-art/00000189-497b-de83-adc9-cffb3a720000 by Ruth Schuster 12/7/23 HAARETZ]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> "No, no, no. His arm is in the wrong place," the master of artwork in a tomb in the Theban Necropolis about 3,300 years ago rebuked some miserable underling.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10213&oldid=prev 2025-10-21T17:02:04Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:02, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l255">Line 255:</td> <td colspan="2" class="diff-lineno">Line 255:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.metmuseum.org/essays/egyptian-faience-technology-and-production by Carolyn Riccardelli 1/12/17 THE MET]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.metmuseum.org/essays/egyptian-faience-technology-and-production by Carolyn Riccardelli 1/12/17 THE MET]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  In ancient Egypt, objects created with faience were considered magical, filled with the undying shimmer of the sun, and imbued with the powers of rebirth. For Egyptians, the sculptures, vessels, jewelry, and ritual objects made of faience glimmered with the brilliance of eternity. While faience is made of common materials—quartz, alkaline salts, lime, and mineral-based colorants—it maintained important status among precious stones and metals.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  In ancient Egypt, objects created with faience were considered magical, filled with the undying shimmer of the sun, and imbued with the powers of rebirth. For Egyptians, the sculptures, vessels, jewelry, and ritual objects made of faience glimmered with the brilliance of eternity. While faience is made of common materials—quartz, alkaline salts, lime, and mineral-based colorants—it maintained important status among precious stones and metals.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Ancient Egyptian race controversy=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://en.wikipedia.org/wiki/Ancient_Egyptian_race_controversy by WIKIPEDIA]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> Some scholars argued that ancient Egyptian culture was influenced by other Afroasiatic-speaking populations in North Africa, the Horn of Africa, or the Middle East, while others pointed to influences from various Nubian groups or populations in Europe. In more recent times, some writers continued to challenge the mainstream view, some focusing on questioning the race of specific notable individuals, such as the king represented in the Great Sphinx of Giza, the native Egyptian pharaoh Tutankhamun, the Egyptian queen Tiye, and the Greek Ptolemaic queen Cleopatra VII.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10212&oldid=prev 2025-10-21T17:00:32Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:00, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l251">Line 251:</td> <td colspan="2" class="diff-lineno">Line 251:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://edition.cnn.com/style/article/egyptian-mummy-portraits by Alexxa Gotthardt 17/4/19 CNN]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://edition.cnn.com/style/article/egyptian-mummy-portraits by Alexxa Gotthardt 17/4/19 CNN]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  While ancient Egyptian mummy portraits have long been objects of curiosity, only a minimal amount of scholarship exists about them. Many questions have lingered since they were uncovered by archeologists around the Egyptian city of Fayum in the late 1800s.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  While ancient Egyptian mummy portraits have long been objects of curiosity, only a minimal amount of scholarship exists about them. Many questions have lingered since they were uncovered by archeologists around the Egyptian city of Fayum in the late 1800s.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Egyptian Faience: Technology and Production=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://www.metmuseum.org/essays/egyptian-faience-technology-and-production by Carolyn Riccardelli 1/12/17 THE MET]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> In ancient Egypt, objects created with faience were considered magical, filled with the undying shimmer of the sun, and imbued with the powers of rebirth. For Egyptians, the sculptures, vessels, jewelry, and ritual objects made of faience glimmered with the brilliance of eternity. While faience is made of common materials—quartz, alkaline salts, lime, and mineral-based colorants—it maintained important status among precious stones and metals.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10211&oldid=prev 2025-10-21T16:58:37Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:58, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l247">Line 247:</td> <td colspan="2" class="diff-lineno">Line 247:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://edition.cnn.com/style/article/ancient-egypt-beauty-ritual-artsy by Julia Wolkoff 3/3/20 CNN]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://edition.cnn.com/style/article/ancient-egypt-beauty-ritual-artsy by Julia Wolkoff 3/3/20 CNN]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The mysteries of the ancient Egyptians are vast, but their beauty tricks are no secret. Makeup might seem like a modern phenomenon – one that has grown into a multi-billion-dollar industry – but cosmetics were equally important to daily life in the ancient world. From the earliest era of the Egyptian empire, men and women from all social classes liberally applied eyeliner, eyeshadow, lipstick and rouge.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The mysteries of the ancient Egyptians are vast, but their beauty tricks are no secret. Makeup might seem like a modern phenomenon – one that has grown into a multi-billion-dollar industry – but cosmetics were equally important to daily life in the ancient world. From the earliest era of the Egyptian empire, men and women from all social classes liberally applied eyeliner, eyeshadow, lipstick and rouge.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Unraveling the mysteries of ancient Egypt’s spellbinding mummy portraits=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://edition.cnn.com/style/article/egyptian-mummy-portraits by Alexxa Gotthardt 17/4/19 CNN]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> While ancient Egyptian mummy portraits have long been objects of curiosity, only a minimal amount of scholarship exists about them. Many questions have lingered since they were uncovered by archeologists around the Egyptian city of Fayum in the late 1800s.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10210&oldid=prev 2025-10-21T16:56:58Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:56, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l243">Line 243:</td> <td colspan="2" class="diff-lineno">Line 243:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.nytimes.com/2023/06/06/science/ancient-egypt-birds.html by Franz Lidz 6/6/23 The New York Times]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.nytimes.com/2023/06/06/science/ancient-egypt-birds.html by Franz Lidz 6/6/23 The New York Times]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  A century ago, archaeologists excavated a 3,300-year-old Egyptian palace in Amarna, which was fleetingly the capital of Egypt during the reign of the pharaoh Akhenaten. Situated far from the crowded areas of Amarna, the North Palace offered a quiet retreat for the royal family.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  A century ago, archaeologists excavated a 3,300-year-old Egyptian palace in Amarna, which was fleetingly the capital of Egypt during the reign of the pharaoh Akhenaten. Situated far from the crowded areas of Amarna, the North Palace offered a quiet retreat for the royal family.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====How ancient Egyptian cosmetics influenced our beauty rituals=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://edition.cnn.com/style/article/ancient-egypt-beauty-ritual-artsy by Julia Wolkoff 3/3/20 CNN]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> The mysteries of the ancient Egyptians are vast, but their beauty tricks are no secret. Makeup might seem like a modern phenomenon – one that has grown into a multi-billion-dollar industry – but cosmetics were equally important to daily life in the ancient world. From the earliest era of the Egyptian empire, men and women from all social classes liberally applied eyeliner, eyeshadow, lipstick and rouge.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10209&oldid=prev 2025-10-21T16:47:49Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:47, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l239">Line 239:</td> <td colspan="2" class="diff-lineno">Line 239:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.glencairnmuseum.org/newsletter/2021/7/13/ancient-egyptian-creation-myths-from-watery-chaos-to-cosmic-egg by Glencairn Museum News 13/7/21 GLENCAIRN MUSEUM]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://www.glencairnmuseum.org/newsletter/2021/7/13/ancient-egyptian-creation-myths-from-watery-chaos-to-cosmic-egg by Glencairn Museum News 13/7/21 GLENCAIRN MUSEUM]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The Egyptian pantheon was filled with deities who inhabited the heavens but whose influence was experienced on earth. In the Pyramid Texts of the Old Kingdom, which first appeared on the interiors of the pyramids of the kings of the Fifth Dynasty of the Old Kingdom (c. 2500–2350 BCE), we learn that the Egyptians regarded the sky as a dwelling place of their gods and a location connected to the afterlife. Just as their daily life depended upon the Nile River, the Egyptians envisioned this heavenly realm as a landscape that divine beings navigated in sacred boats (Figure 1).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  The Egyptian pantheon was filled with deities who inhabited the heavens but whose influence was experienced on earth. In the Pyramid Texts of the Old Kingdom, which first appeared on the interiors of the pyramids of the kings of the Fifth Dynasty of the Old Kingdom (c. 2500–2350 BCE), we learn that the Egyptians regarded the sky as a dwelling place of their gods and a location connected to the afterlife. Just as their daily life depended upon the Nile River, the Egyptians envisioned this heavenly realm as a landscape that divine beings navigated in sacred boats (Figure 1).</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Put a Bird on It? Ancient Egypt Was Way Ahead of Us.=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://www.nytimes.com/2023/06/06/science/ancient-egypt-birds.html by Franz Lidz 6/6/23 The New York Times]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> A century ago, archaeologists excavated a 3,300-year-old Egyptian palace in Amarna, which was fleetingly the capital of Egypt during the reign of the pharaoh Akhenaten. Situated far from the crowded areas of Amarna, the North Palace offered a quiet retreat for the royal family.</ins></div></td></tr> </table>

Lilly https://wikidemocracy.us/index.php?title=Ancient_Egyptian_Art&diff=10208&oldid=prev 2025-10-21T16:45:08Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw-interface=""> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:45, 21 October 2025</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l235">Line 235:</td> <td colspan="2" class="diff-lineno">Line 235:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://pmc.ncbi.nlm.nih.gov/articles/PMC6649877/ by Karim ReFaey 5/19 Cureus]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://pmc.ncbi.nlm.nih.gov/articles/PMC6649877/ by Karim ReFaey 5/19 Cureus]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Ancient Egyptian civilization is one of the oldest cultures in human history. Ancient Egyptians are well-known for pioneering the fields of art, medicine, and the documentation of discoveries as mythological tales. The Egyptians mastered the integration of anatomy and mythology into artistic symbols and figures. The mythology of Isis, Osiris, and Horus is arguably one of the most recognized mythologies in ancient Egypt.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>  Ancient Egyptian civilization is one of the oldest cultures in human history. Ancient Egyptians are well-known for pioneering the fields of art, medicine, and the documentation of discoveries as mythological tales. The Egyptians mastered the integration of anatomy and mythology into artistic symbols and figures. The mythology of Isis, Osiris, and Horus is arguably one of the most recognized mythologies in ancient Egypt.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=====Ancient Egyptian Creation Myths: From Watery Chaos to Cosmic Egg=====</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[https://www.glencairnmuseum.org/newsletter/2021/7/13/ancient-egyptian-creation-myths-from-watery-chaos-to-cosmic-egg by Glencairn Museum News 13/7/21 GLENCAIRN MUSEUM]</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> The Egyptian pantheon was filled with deities who inhabited the heavens but whose influence was experienced on earth. In the Pyramid Texts of the Old Kingdom, which first appeared on the interiors of the pyramids of the kings of the Fifth Dynasty of the Old Kingdom (c. 2500–2350 BCE), we learn that the Egyptians regarded the sky as a dwelling place of their gods and a location connected to the afterlife. Just as their daily life depended upon the Nile River, the Egyptians envisioned this heavenly realm as a landscape that divine beings navigated in sacred boats (Figure 1).</ins></div></td></tr> </table>

Lilly