Early African Art: Difference between revisions
From WikiDemocracy
Jump to navigationJump to search
No edit summary |
No edit summary |
||
| (One intermediate revision by the same user not shown) | |||
| Line 288: | Line 288: | ||
[https://www.pinterest.com/garnerkristen/early-african-art/ by | [https://www.pinterest.com/garnerkristen/early-african-art/ by | ||
Kristen Garner Pinterest] | Kristen Garner Pinterest] | ||
=====History of African Art from Ancient Traditions to Modern Expression===== | |||
[https://www.tilmagazine.com.ng/2025/05/history-of-african-art-from-ancient.html by TIL MAGAZINE 20/5/25] | |||
African art history is one of the richest and most diverse visual traditions in the world, deeply embedded in the cultural, spiritual, and social fabric of the continent. The evolution of African art—from ancient carvings to modern installations—reflects a profound journey shaped by tradition, colonial disruption, and global recognition. From prehistoric rock paintings in Algeria’s Tassili n’Ajjer and South Africa’s Drakensberg Mountains, African artists have always used visual expression to document their world, celebrate rituals, and communicate with the spiritual realm. These early forms of traditional African art were far more than decorative, they were essential to survival, storytelling, and belief systems. | |||
=====Unpacking Medieval African Art’s Profound Global Legacy===== | |||
[https://www.artsy.net/article/artsy-editorial-unpacking-medieval-african-arts-profound-global-legacy by Niama Safia Sandy 21/1/19 Art] | |||
In popular discourse, the arts of Africa are positioned as having been discovered, interpolated, and folded into major Western art movements for the first time in the late 19th and early 20th centuries. The rise of modern art was concurrent with the “Scramble for Africa,” which officially began at the Berlin Conference in 1884, when European powerheads divided and claimed ownership over the majority of the nearly 12 million square miles that comprise the continent. | |||