Early European Art: Difference between revisions
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[https://www.jstor.org/stable/3780635 by James H. Marrow JSTOR] | [https://www.jstor.org/stable/3780635 by James H. Marrow JSTOR] | ||
Simiolus is an English-language journal devoted to the history of Dutch and Flemish art of the fifteenth to seventeenth centuries, with occasional forays into more recent periods and other schools. Founded in 1966 as an outlet for art history students at the University of Utrecht, it has grown to become an internationally recognized journal of record in its field, publishing contributions by many renowned scholars and promising young art historians. Simiolus has a broad range, featuring articles on iconography and iconology, art theory and historiography, the history of the art market and the history of collecting. Many of them have become classics of their kind. | Simiolus is an English-language journal devoted to the history of Dutch and Flemish art of the fifteenth to seventeenth centuries, with occasional forays into more recent periods and other schools. Founded in 1966 as an outlet for art history students at the University of Utrecht, it has grown to become an internationally recognized journal of record in its field, publishing contributions by many renowned scholars and promising young art historians. Simiolus has a broad range, featuring articles on iconography and iconology, art theory and historiography, the history of the art market and the history of collecting. Many of them have become classics of their kind. | ||
=====A History of European Art===== | |||
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Take in the full sweep of European art from Gothic cathedrals to Cubism in this spellbinding and visually-dazzling course taught by an acclaimed art-historian. | |||
