Early Chinese Art: Difference between revisions
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[https://www.sciencedirect.com/science/article/pii/S3050997125000077 by Sarah Wong 6/25 ScienceDirect] | [https://www.sciencedirect.com/science/article/pii/S3050997125000077 by Sarah Wong 6/25 ScienceDirect] | ||
In 1929, R. L. Hobson (1872–1941), Keeper of Oriental Antiquities at the British Museum, was the first to publish and formally acknowledge the significance of the pair of Yuan blue-and-white temple vases, now known as the David vases. It was the first time in the United Kingdom that this type of blue-and-white porcelain was firmly established as being made in the Yuan dynasty (1271–1368). | In 1929, R. L. Hobson (1872–1941), Keeper of Oriental Antiquities at the British Museum, was the first to publish and formally acknowledge the significance of the pair of Yuan blue-and-white temple vases, now known as the David vases. It was the first time in the United Kingdom that this type of blue-and-white porcelain was firmly established as being made in the Yuan dynasty (1271–1368). | ||
=====Poetry and Pictorial Expression in Chinese Painting===== | |||
[https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118885215.ch24 by Susan Bush 9/10/15 WILEY] | |||
This chapter focuses on certain early Chinese paintings and the links between poetry and painting that extended over a period of nearly a millennium from the early medieval period through the Song dynasty. Two artists, Gu Kaizhi and Guo Xi, can serve as exemplary models for the development of Six Dynasties portraiture and Northern Song landscape, respectively, and their lives and art are discussed in the first two sections of the chapter. | |||
