Early Chinese Art: Difference between revisions
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=====Time in Early Chinese Art===== | =====Time in Early Chinese Art===== | ||
[https://onlinelibrary.wiley.com/doi/10.1002/9781118885215.ch10 by Eugene Y. Wang 9/10/15 WILEY. | [https://onlinelibrary.wiley.com/doi/10.1002/9781118885215.ch10 by Eugene Y. Wang 9/10/15 WILEY.Online Library] | ||
The Chinese notion of time has mostly been treated as an abstraction extrapolated from various early texts, leading some scholars to make some assertions about the kind of time concept that dominates Chinese thinking. In an illustrated silk manuscript uncovered from a basket case from a tomb at Zidanku, Changsha, ca. 300 BCE, the design is essentially a calendric chronograph. Manipulation of time remains a key function of early Chinese art. | The Chinese notion of time has mostly been treated as an abstraction extrapolated from various early texts, leading some scholars to make some assertions about the kind of time concept that dominates Chinese thinking. In an illustrated silk manuscript uncovered from a basket case from a tomb at Zidanku, Changsha, ca. 300 BCE, the design is essentially a calendric chronograph. Manipulation of time remains a key function of early Chinese art. | ||
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[https://www.sciencedirect.com/science/article/abs/pii/S1296207424000918 by Dian Chen 2024 ScienceDirect] | [https://www.sciencedirect.com/science/article/abs/pii/S1296207424000918 by Dian Chen 2024 ScienceDirect] | ||
The use of shells as a medium for painting is an exceptionally rare discovery in archaeology, representing a art form that has been largely overlooked. In this study, we present two shell paintings of the Warring States period (476–221 BCE) discovered in Zhongshan State, Hebei, China. Employing various techniques, including microscopic observation, computed tomography (CT), X-ray fluorescence (XRF), multispectral imaging, and Raman spectroscopy, we non-destructively unveil the exquisite images obscured by soil and reveal the unparalleled shallow relief technique employed in their creation. | The use of shells as a medium for painting is an exceptionally rare discovery in archaeology, representing a art form that has been largely overlooked. In this study, we present two shell paintings of the Warring States period (476–221 BCE) discovered in Zhongshan State, Hebei, China. Employing various techniques, including microscopic observation, computed tomography (CT), X-ray fluorescence (XRF), multispectral imaging, and Raman spectroscopy, we non-destructively unveil the exquisite images obscured by soil and reveal the unparalleled shallow relief technique employed in their creation. | ||
=====Classification, Canon, and Genre===== | |||
[https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118885215.ch12 by Richard Vinograd 9/10/15 WILEY Online Library] | |||
Systems of artistic genres, evaluative rankings of artists, and identifications of canonical monuments are all versions of classification and categorization. The identification of canonical objects and forms operated through evolving systems of preservation, collecting, transmission, and dissemination, involving physical monuments, institutions, texts, and publications, from early versions down to modern era museums and art-historical surveys. | |||
