Early European Art: Difference between revisions
From WikiDemocracy
Jump to navigationJump to search
No edit summary |
No edit summary |
||
| Line 116: | Line 116: | ||
[https://arthistoryteachingresources.org/lessons/eighteenth-and-early-nineteenth-century-art-in-europe-and-north-america/ by AHTR] | [https://arthistoryteachingresources.org/lessons/eighteenth-and-early-nineteenth-century-art-in-europe-and-north-america/ by AHTR] | ||
Assuming that students will have just finished learning about French Baroque art and architecture, I like to begin class with an “unknown review.” By this, I mean a work of art that contains many of the features of the French Baroque; but, also provides a way to set the historical stage for the next art period that we will be covering. My favorite work to use is Hyacinthe Rigaud’s portrait of Louis XV in Coronation Robes at the age of five. | Assuming that students will have just finished learning about French Baroque art and architecture, I like to begin class with an “unknown review.” By this, I mean a work of art that contains many of the features of the French Baroque; but, also provides a way to set the historical stage for the next art period that we will be covering. My favorite work to use is Hyacinthe Rigaud’s portrait of Louis XV in Coronation Robes at the age of five. | ||
=====European Art 1600–1700===== | |||
[https://www.mfab.hu/exhibitions/european-art-1600-1700/ by MUSEUM OF FINE ARTS, BUDAPEST] | |||
A close continuation of European Art 1250–1600, the new permanent exhibition of the Old Master Paintings collection in the museum’s newly renovated wing in the City Park is home to Baroque art, spanning the century between 1600 and 1700. Together with this unit, visitors are now given a comprehensive picture of the trends and chief masters of five centuries of European art spanning from the early Gothic to the Baroque styles. | |||
